Just using an EQ can also work, but the sound might not appear as full as the alternative of using a multiband compressor.Multiband compressors are great for compressing instruments and sticking together a common mix. So, if something is too bright, try compressing the highs more. If you compress something, it gets quieter and its dynamic range gets smaller. If you’re still at all confused, try to think of multiband compression as a way to adjust the volume and presence of any particular band. It’s sometimes much better to use compression to handle this over EQ because it can appear to be a lot more transparent. Any particular band of a synth can be increased or decreased in presence and fullness with a multiband compressor. Think of compression here as a type of EQ with the ability to also increase RMS and perceived loudness of a sound. Essentially, multiband compression can be used as a general tool brush to adjust frequency bands throughout any sound. This method can be applied to any sound, but hardware synths generally need more correctional work than digital ones.
However, it’s often necessary to tame the aggressive characteristics of a hardware synth to make sure it’s not creating problems in your mix. Hardware synths can be fairly unpredictable at times (this is also why they are so amazing, btw). This can be applied at various bands of the multiband compressor to have complete control over the tone of the sound.īonus Tip: Be careful to watch out for distortion down here! The attack and release settings of your multiband compressor are super important here (longer attack and quicker release generally yield less distortion). So, if you want less high end in the sound, try compressing the high band more. The more compression happening on a given band means the quieter that band is (unless you make up the gain reduction). There is also the added benefit of complete tonal balance control by adjusting each frequency band. Essentially, you can take wildly different sounds with different dynamic ranges and still find a way to mesh them together in a transparent way. Multiband compression can work wonders here because unlike a normal compressor, multiband compression has much more control in handling a full-spectrum sound. Gelling together synth stacks or various instrument layers is crucial in getting your sounds to feel unified and cohesive. That said, let's get into the good stuff. Sure, some of these plugins sound great, but that doesn't mean you should go out and splurge before you even have a subtle understanding of using your DAW's internal multiband compressor.
Like most cases, the tools you are using aren't as important as the concepts behind them. UAD Precision Multiband: Great analog flavor of multiband compression. Waves C4 Multiband Parametric Processor: Amazing for vocals to reign in a very dynamic performance and shape the tone.Ībleton Multiband Compressor: CPU savor without any lacking quality. IZotope Ozone Dynamics: Does a great job balancing out the low end, getting your sub to sit right in the mix. This is by no means an extensive list, just our personal favorites with a few notes about what makes them so great.įabFilter Pro-MB: Fantastic user-interface with extremely transparent results. Our Favorite Multiband Compressor Pluginsīefore we get deep into our favorite multiband compression strategies, we thought it might be helpful to list out our top 5 favorite multiband compressors.
FABFILTER MB BEST MULTIBAND HOW TO
By the end of this article, you should be completely caught up to speed on how to utilize multiband compression throughout your mix to help achieve you achieve clean and powerful masters. Over the past month, we’ve been uploading 2 videos per week on the Hyperbits YouTube channel detailing 8 incredible ways to use multiband compression in your productions. That's exactly why we're about to dive deep into our favorite multiband compressor tips, techniques and plugins.Ĭonsider this blog post a Masterclass on multiband compression. It's like having 3 or 4 instances of a compressor all at once (each with their own ratios, thresholds, attack and release) but for each band! This means, quite frankly, that the level of control and accuracy you gain from using a multiband compressor is second to none. Well, a multiband compressor isn't actually all that different. In lamen's terms, this can be done by making loud signals quieter, or by making quiet signals louder.
If you fire up Google, the first definition you'll get for compression is the reduction of an audio signal's dynamic range.
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